Saturday, 27 July 2013

Letters from an Ordinary World

Oh Christ – has it really been that long?

Once upon a time you couldn’t shut the bugger up, and then suddenly – nothing. Not a word since April. He doesn’t write; he doesn’t call; he’s just vanished into the blogosphere. Filmmakers, eh?

And so we start with an apology. Sorry. It’s been way too long.

Part of the extended radio-silence is down to the fact that Jake and I aren’t actually doing anything on the movie anymore. Once we had dropped off a hard disk with a (greatly pared-down) collection of finished stuff for our Sales Agents at the end of May, our work here was pretty much done. Rest easy, son – the experts are on the case.

But mostly it's because this bit doesn’t feel like part of the same adventure anymore. If this were a movie, we would have faded out on the applause at the end of the cast-and-crew screening. This bit feels like the first act of the next movie, where we see our heroes go about their daily lives in their Ordinary Worlds, just waiting for an inciting incident to come along. Since the screening, we have both had to find day-jobs in order to remove the contracts that our respective bank managers had taken out on us; Jake is busy planning his wedding and finding a place to move in to, and I have inadvertently wound up with employers who routinely insist on sending me out to the far-flung corners of the Cursed Earth to bring law to the lawless. And when you’re on ‘corporate expenses time’, you never find yourself sober long enough to throw a coherent five hundred words together. Oh, gidday from Melbourne, by the way.

But, behind the scenes, stuff has been going on. Not at a rate that demands frequent blogging, but important stuff. And rather than apologise to every member of the cast and crew individually when they text me for an update, here’s where we are at.

First up, we have now sold the movie in Japan; I say ‘we’, but actually Moviehouse Entertainment did all the heavy lifting at Cannes. So far, it’s only the Japanese distribution rights that have been snapped up, but the first pin to fall marks a profound demarcation in the lives of independent movie producers. It’s the difference between being a ‘filmmaker’ and a ‘distributed filmmaker’; semantics to some, but absolutely crucial to the people that dole out UK and European film money. In the unlikely event that Jake or I ever want to make another movie that ticks the necessary boxes marked ‘art’ and ‘decency’.

Being honest, I am more than a little surprised that the Japanese were the first to bite. 76 minutes of hostile, sweary nonsense for a more polite society. Presumably somewhere in Tokyo, an English language scholar is going to be given our dialogue sheet to translate, and will no doubt reflect for a moment on whether their years of experience are being properly recognised, as they struggle to find the Japanese equivalent to ‘Get the fuck off me, you head-raped cock-park’. If anyone knows the Kanji character for ‘idiot gentleman’, please let me know; I have a feeling it’s going to appear throughout the subtitle track.

And it looks like we may have sorted out a festival premiere; nothing confirmed yet, and so it’s probably sensible not to stick anything down in writing, but anybody that’s going to be in Chicago at the end of September and fancies meeting Robert Englund should make themselves known now. And with a couple more promising irons in the fire, here’s hoping that Zombie Resurrection loses its festival virginity by the end of October. As much as anything else, I’m looking forward to seeing whether jokes that we wrote in autumn 2010 are actually going to get a laugh.

Chicago? There must be some kind of work-related meeting or something that’ll warrant me being flown out to the Windy City that week, surely? Conniving.

1 comment:

  1. Must feel strange having it all taken off your hands and into the unknown of the distributors. Time has flown and the film has come a long way. Best of luck with the potential festival!